[Theme]: ____ [Subject Type]: Group / Space / Typography / Single Object [Subject Content]: ____ [Chinese

Prompt

[Theme]: ____
[Subject Type]: Group / Space / Typography / Single Object
[Subject Content]: ____
[Chinese Title]: ____
[English Title]: ____
[Diagonal Approach]: Group Movement / Spatial Perspective / Typography Progression / Object Tilt
[Primary Axis]: Bottom Left → Top Right / Bottom Right → Top Left
[Color Palette]: ____
[Date / Organization]: ____
[Aspect Ratio]: 9:16

Generate a poster with a strong sense of design and a diagonal composition.

First establish a clear diagonal visual axis, then organize the subject, Typography, and negative space around it rather than piling on decorative elements first.

Let the subject itself create diagonal momentum:
For group compositions, use people’s movements, scale, and arrangement to create continuous diagonal motion;
For spatial compositions, use architectural sections, perspective, light, and shadow to create diagonal convergence;
For Typography compositions, move, enlarge, crop, and layer large text along the diagonal axis;
For single-object compositions, let the object’s own outline, center of gravity, and tilted posture naturally create a diagonal thrust.

Keep only one primary visual direction throughout the image. Let all other elements follow or balance it without creating new visual competition.

The subject carries the primary visual weight, with 25%–40% negative space retained. The Chinese title serves as the visual focal point, while small English text and date information are concentrated in 1–2 information zones. Limit the palette to 2–4 colors, using scale, cropping, layering, and asymmetrical typography to enhance tension.

The focus is not on “drawing a diagonal line,” but on allowing the subject, text, and negative space to form a diagonal reading path together.

Editorial Graphic Design, mature, restrained, clear, and dynamic, like a genuine cultural exhibition poster.