Prompt
In the atrium of a tall, nearly all-white art museum, create an exhibition poster featuring a monument-like installation on a circular platform. Several oversized everyday objects are misaligned and stacked into an architectural structure, with a white spiral ramp winding through it and turning the still life into a walkable route. A life-size visitor stands on the polished floor, looking up at it, proving through their body that this is gallery scale, not a tabletop prop. A smooth giant figure sits at the top of the installation, with its hat, scarf, and bag rendered as volumetric clothing blocks. Smaller matching figures dot the ramp and layered gaps, as if people have already begun climbing. A corresponding wayfinding sign stands on the right, turning the same classification system, icons, and arrows into a flat road sign that serves as a visual legend for the three-dimensional climb.
The main subject is photographic or highly realistic 3D visualization, not illustration. The installation occupies real volume, receives window light from the upper side, casts shadows on the floor, and leaves softened colored reflections on the polished stone. The figures are continuous toy shells with highlights from the window light. The stacked forms are spray-painted geometric blocks with solid thickness and layered edges; the spiral is a thin, rigid white tube that weaves in front of and behind the forms, cutting through the rectangular silhouette. Flat typography sits as a second layer over the image, without entering the perspective or casting shadows onto the architecture. The only hand-drawn element is one casual brushed slogan, possibly with a tiny character doodle.
The composition places the monument slightly right of center, leaving the left third and the four corners for poster information. The main title is roughly level with the characters' heads, conversing across a broad white wall, and never sitting on top of the figures or installation. The installation and circular platform are fully contained in the frame, while walls and window frames are cropped so the space feels larger than the poster. Each stacked layer becomes a color-block legend: one word paired with one pictogram, with slight rotational misalignment. The same set of highly saturated graphic colors forms a circuit from the main title and brushed lettering to the wayfinding sign and platform ring, locking the flat type and three-dimensional objects into one system.
The main title uses large, compact, slightly slanted industrial heavy lettering, stacked in saturated color blocks and substantial enough to hold its own against the figures. Beneath it is a smaller, orderly explanatory line. The remaining text consists of an institution name, number, date, and a closing slogan in the corners, plus labels on the objects. Text density stays at the edges, leaving the center to the installation.
Nearly all saturated color is concentrated on the installation, set within a large expanse of cool white, high-key space. The architecture is nearly colorless. The figures are the palest, warmest blocks; darker cool layers cut through the middle, interrupting the warm stacking so it reads as coded stratification rather than one mass of warm color. Floor reflections seat the colors in the space. Do not color the architecture, do not cover the entire scene in saturation, do not turn it into a character-illustration poster, do not remove the scale figure or spiral route, and do not let the title ride on the installation.
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Theme: Mid-Autumn Festival poster
Main characters: Jade Rabbit and mooncake