Prompt
Design a modern Eastern cultural event poster centered on “paper fibers + expansive color fields + intentional negative space + a miniature cultural scene.”
Use warm ivory-white handmade paper as the background, retaining approximately 45%–60% expansive negative space. Use 【core color field】 to establish the first visual focus, and create a clear, methodical large-scale relationship through 【structural approach】. The theme may be expressed through radiating fibers, cutouts in the paper, connected cracks, positive-negative form conversion, or rubbings, but do not depict an ordinary realistic object.
The expansive color field should show clear natural paper fibers, pulp granules, watercolor or mineral-pigment deposits, natural rough edges, and a matte texture. Use 【main color palette】 throughout, with low-saturation yet complete and rich colors. From a distance, the large forms and color relationships should come first; only up close should the material details emerge.
Place a very small 【miniature cultural scene】 near the expansive color field, with figures genuinely performing 【figure action】. The figures, tools, and 【cultural object】 together should occupy only approximately 3%–5% of the composition, without staged posing or product display.
Use a unified two-dimensional, lightly colored paper illustration style for the figures: simple facial features, subtle volume, solid flat color blocks, and a few continuous garment-fold lines. They should belong to the same visual world as the paper and color field. Avoid photographic realism, 3D miniatures, CGI lighting, strong cast shadows, and realistic depth of field.
Create one convincing scale connection between the miniature scene and the enormous primary visual, such as fibers, paper scraps, fissures, kintsugi pins, ink marks, tool trails, or the material itself, allowing the “small handcraft action” to naturally extend into the “large color-field structure.”
Set 【main title】 in a small modern Song-style or Ming-style typeface within the negative space. Use restrained smaller type for the date, location, and 【event information】. Typography should not compete with the primary visual, and should contain no meaningless placeholder text.
The overall reading order is:
Negative space and expansive color field → structural relationship → paper-fiber texture → miniature cultural scene → craft action → title and event information.
The final result should be an eye-catching Eastern editorial poster from a distance, revealing a tactile paper quality, detail, and cultural narrative up close.
Avoid oversized titles, generic Chinese-style illustrations, realistic figures, 3D miniatures, photographic backgrounds, PPT grids, commercial advertising aesthetics, dirty or aged paper, random noise, CGI, glass or mirrored materials, logos, watermarks, numbering, and starburst decorations.