Prompt
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Turn each photo I upload into a separate premium design poster. Do not combine multiple images; output each photo individually. Use an overall 3:4 portrait composition, with the upper and lower sections strictly equal in height, each occupying 50% of the canvas.
Preserve the original photo in the upper section, maintaining the subject's structure, authentic texture, natural lighting, shadows, and original color atmosphere. Apply only subtle, sophisticated photographic color grading to create the feel of an art magazine, independent publication, and exhibition photography. To fit the format, the sky, ground, or environmental background may be naturally extended, but do not stretch, distort, or alter the subject.
In the lower section, extract the photo's most recognizable **subject, silhouette, posture, and narrative relationships**, and reconstruct them as a refined minimalist isometric illustration, like a miniature three-dimensional model or architectural maquette displayed on paper. Do not mechanically reproduce the photo's details. Instead, reinterpret the subject through simplified volumes, clear edges, clean layers, and miniature spatial relationships, preserving instantly recognizable identity while creating the quiet, restrained, poetic editorial character of an illustration.
Use an overall composition based on **isometric perspective, miniature landscapes, and paper-model aesthetics**: the subject should appear cut out and placed on a small piece of paper or miniature base, surrounded by generous negative space. Establish a sense of scale and solitude through contrasts in mass, edge cropping, subtle shadows, and a small number of tiny details. A very limited number of supporting elements may be added to anchor the subject, but they must not create a second visual focal point.
Derive the palette entirely from the original photo above. Prioritize the colors that are most distinctive, atmospheric, and representative of the subject, then **abstract, purify, soften, and unify the complex colors into a limited palette**. Preserve the original image's warm-cool relationships and color character, while reducing color clutter and visual noise so the colors feel calmer, more restrained, softer, and more like an editorial illustration on paper. Use tonal variations of the same color, analogous color relationships, and slight color differences to distinguish volumes. Do not introduce a fixed color scheme unrelated to the original image. Use fine ink lines, flat color fields, subtle shadows, and paper grain to express structure and depth.
Let typography become part of the composition. Extract a short English title from the photo's subject, location, action, condition, or mood, accompanied by very limited numbering, a short phrase, or tiny annotations. Keep the typography thin, restrained, and modern-editorial in character. It may follow the edges of the negative space, the subject's base, a horizontal axis, or the isometric structure, forming a quiet and refined layout rhythm together with the graphic elements.
Overall, reference **minimalist isometric illustration, miniature three-dimensional models, paper landscapes, and sophisticated editorial design**, creating a quiet, poetic, restrained, refined visual character with a collectible quality. Avoid cartoonishness, highly saturated contrasting colors, fixed palettes unrelated to the original image, a plastic 3D look, crowded scenes, an e-commerce feel, and a templated appearance.🚗