Prompt
[Theme / Project]: {e.g. exhibition, music event, publication, brand identity}
[Main Title / Giant Type]: {enter the main title in Chinese, English, or Japanese}
[Central Subject]: {e.g. person, vinyl record, textile, book page, product, object}
[Image–Type Interaction]: {occlusion / interweaving / weaving / refraction / cropping / layered depth}
[Primary Color]: {enter 1 main color}
[Accent Colors]: {enter 1–2 accent colors}
[Event / Brand Info]: {brand, date, location, subtitle, keywords, etc.}
[Aspect Ratio]: {default 9:16}
Create a premium Japanese editorial typography poster. The focus is not “adding text to an image,” but making the giant typography itself the primary structure of the composition, with the [Central Subject] genuinely entering the letterforms and creating clear, credible occlusion, interweaving, and front-to-back layering. The main title should be large enough to extend beyond the page area, with partial cropping and offset arrangements, so the type first reads as a geometric form and only then as content.
Organize the layout with a strict but invisible editorial grid. Keep the overall composition asymmetrical while maintaining a clear order. The subject may cross the lettering, emerge from behind strokes, sit in front of selected letterforms, or combine with the typography through believable physical relationships. Avoid the simple arrangement of “subject in the center, title beside it”; the composition needs obvious image–type interaction and spatial depth.
Limit the palette to 3–5 core colors, based on the [Primary Color] with the [Accent Colors]. Emphasize complete, rich, clean areas of printed color. Use high-quality matte art paper, subtle paper fibers, and restrained offset-print texture. Avoid obvious vintage distressing, scratches, yellowing, heavy grain, or cheap filters.
Build a complete, realistic information system: the main title provides the primary visual level; the brand or project name and subtitle provide secondary information; the date, location, category, creator, keywords, and short description provide tertiary information. Do not cluster all small text at the bottom or arrange it as UI cards. Distribute it naturally along the page edges, within the letterform structure, or around the subject to create the editorial feel of a cultural publication, exhibition poster, or independent book.
Keep the overall information density medium-high while preserving a clear hierarchy. From a distance, the giant type, central subject, and main color blocks should appear first; from mid-range, the occlusion and interweaving between image and type should become visible; only up close should the complete small information and print details be read. The final result should feel like a real cultural poster produced by a contemporary Japanese or East Asian design studio, not an AI poster template.
Avoid: ordinary centered layouts, a subject and text with no relationship, meaningless English, Lorem Ipsum, all small text piled together, excessive minimalism that leaves the composition empty, excessive collage that creates confusion, UI cards, rounded modules, cheap 3D, neon gradients, over-distressing, four-point starbursts, sparkles, No.01, Vol.01, or other numbered series markers.