Ukuze ngithole ukubukwa okuhlobene nesihloko se-Minimax H3, ngabhala futhi ngashicilela isihloko ngokushesha ngemva kokuhlola kafushane. Ngiyaxolisa, bekungafanele ngibhale isihloko esingenalutho nesinganaki kangaka. Ifomethi yeziyalezo ze-Minimax H3 inezimfuneko eziqinile; awukwazi ukubhala iziyalezo usebenzisa indlela yokucabanga evamile. Ngakho ngacwaninga ngokucophelela umhlahlandlela osemthethweni weziyalezo, ngabhalela wena lesi sifundo.
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Umbhalo uyaqala
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Lapho abantu abaningi bebhala iziyalezo zamavidiyo, bajwayele ukufaka abalingiswa, indawo, izenzo, ikhamera nesitayela konke esigabeni esisodwa: intombazane ihleli esitolo sekhofi, inja igxumela ibhisikidi elisesandleni sayo, isimo sifudumele futhi sihlekisa, sinomuzwa wefilimu, ikhamera isondela kancane...
Le ndlela ayisebenzi neze, kodwa uma ulayisha ngesikhathi esisodwa isithombe somlingiswa, isithombe sendawo, ividiyo yesenzo kanye nereferensi yomsindo, imodeli ingadideka kalula:
Isiphi isithombe esibhekele ukubukeka komlingiswa; yisiphi esibhekele indawo; iyiphi ingxenye yevidiyo esetshenziselwa ukubhekisa isenzo kuphela; iyiphi ingxenye yomsindo okufanele igcinwe njengoba injalo; yiziphi izinto okufanele zihlale zifana; yiziphi ezingashintshwa
Imodi yereferensi ephelele ye-Seedance2.0 ixazulula lokhu ngokusebenzisa indlela yokumaka izinto ngo-@.
Imodi yereferensi ephelele ye-MiniMaxH3 yona ixazulula lokhu ngokubhala iziyalezo zibe njengencwadi ecacile yokukhiqiza ividiyo.
Ngokwemfuneko esemthethweni, isiyalezo esiphelele kufanele sibe nezingxenye eziyisithupha, futhi ingxenye eyinhloko kufanele ibe ngesiNgisi; izingxoxo zabalingiswa, amagama ezingoma kanye nombhalo ovela ngempela esikrinini kuphela okungagcinwa ngolimi lwangempela.
>1. Qonda kuqala umgomo oyisisekelo
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Iziyalezo zemodi yereferensi ephelele aziphenduli umbuzo othi: Le vidiyo ixoxa yiphi indaba?
Kunalokho ziphendula umbuzo othi: Imodeli kufanele ikhiphe siphi isici entweni ngayinye yereferensi, futhi isisebenzise nini, kuliphi ishothi, nokuthi ikubeke kuphi lokho kuvidiyo?
Ngakho ungabhali isifinyezo sendaba kuphela: intombazane ihlangana nenja esitolo sekhofi.
Yilena kanye iphutha engalenza ngesikhathi ngihlola ngokushesha; ngenxa yokufuna ukubukwa, ngabhala isihloko esingenalutho.
Kufanele kubhalwe isithombe esingasetshenziswa yimodeli:
Isibhamu esiphakathi, intombazane ihlezi kusofa osawolintshi ohlangothini lwesokudla sesikrini, iphethe ibhisikidi ngesandla sokudla. Insizwa ingena ivela ohlangothini lwesobunxele, ihola i-Samoyed emhlophe. Inja isondela ngokuzumayo ebhisikidini, intambo yokuyibopha iqina, intombazane ihlehlisa isandla ngokushesha.
Owokuqala uyindaba; owesibili yiwo oyisiyalezo sevidiyo.
Incazelo efanele yeshothi kufanele okungenani icacise: uhlobo lweshothi nokwakheka kwesithombe + ukubukeka nendawo yomlingiswa + indawo nokukhanya + isenzo esisodwa + ushintsho lwesimo + ukuhamba kwekhamera + umsindo nezingxoxo.
Lokhu empeleni akuhlukile kakhulu esakhiweni seziyalezo samamodeli amaningi amavidiyo; kungabhekwa njengesakhiwo esijwayelekile.
Kodwa i-Hailuo esemthethweni igcizelela ngokukhethekile ukuthi:
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detailed_description akufanele kwehle kube isifinyezo sendaba noma uhlu olulula oluxhumanisa izinto zereferensi, kodwa kufanele kucace ukuthi yini ebonakalayo nezwakalayo eshotini ngalinye.
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>2. Izingxenye eziyisithupha zesiyalezo esiphelele
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Isakhiwo esijwayelekile semodi yereferensi ephelele ye-MiniMaxH3 simi kanje:
1, subject_definitions
Chaza izinto ezisereferensini okufanele zibonwe futhi zilandelwe ngokwehlukana.
2, summary Sebenzisa isigaba esifushane ukuchaza ukuthi iyiphi ividiyo okufanele yenziwe nokuthi iyiphi indima edlalwa yinto ngayinye yereferensi.
3, retention_analysis Tshela imodeli ukuthi yiziphi izici ezisereferensini okufanele zigcinwe ngokuphelele, yiziphi okufanele kubhekiswe kuzo kancane, nokuthi yiziphi izici okufanele zidluliselwe kwezinye izinto.
4, detailed_description Ingxenye ebaluleke kakhulu. Ngokulandelana kokudlalwa kwevidiyo, chaza ishothi ngalinye: isithombe, isenzo, ikhamera, umsindo nezingxoxo.
5, overall_soundscape Chaza imisindo yendawo nemisindo ezwakala emhlabeni wangempela, njengomsindo womoya, izinyathelo nomsindo ongemuva wasendlini.
6, non_diegetic_music Chaza umculo ongemuva ozwakala kubabukeli kuphela, ongazwakali kubalingiswa abasesithombeni.
Lezi zingxenye eziyisithupha kufanele zihlelwe ngokulandelana okungaguquki.
>3. Indlela yokusebenzisa izinhlobo ezine zamathegi ereferensi
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Iqhinga elibaluleke kakhulu kwimodi yereferensi ephelele ukunikeza okuqukethwe kwereferensi amathegi afanele.
Ngokusemthethweni kuchazwa amathegi amane:
<SubjectN>
<PictureN>
<VideoN>
<AudioN>
I-N iqala ukubalwa ngo-1.
<SubjectN>: okuqukethwe okufanele kuvele ngempela kuvidiyo.
Subject akuyona “ifayela”, kodwa yisici esibonakalayo esikhishwa efayilini futhi okufanele sisetshenziswe kuvidiyo yokugcina. Kungaba: umuntu; isilwane; into; indawo; izingubo; ipropu; umphumela okhethekile; isitayela sesithombe; isenzo; isimo sobuso noma ukuma komzimba.
Isibonelo, uma ulayishe isithombe somlingiswa wedemoni elincane eliyimpisi, kufanele ubhale isiyalezo kanje:
<Subject1>is the young wolf demon in<Picture1>,with grey fur,drooping ears,worn brown clothes,and anervous expression.
Incazelo yakhona ithi: i-Subject1 yidemoni elincane eliyimpisi elisesithombeni i-Picture1, elinoboya obumpunga, izindlebe ezilengayo, izingubo ezinsundu ezigugile kanye nesimo sobuso sokukhathazeka.
Isithombe esisodwa singanikeza ama-Subject amaningi.
Isibonelo, esithombeni sesitolo sekhofi kungakhishwa kokubili:
<Subject1>is the young woman in<Picture1>.
<Subject2>is the coffee-shop environment in<Picture1>.
I-Subject efanayo ingavela ezintweni eziningi zereferensi ngesikhathi esisodwa:
<Subject1>is the woman whose appearance comes from<Picture1>and whose walking motion comes from<Video1>.
Incazelo yakhona ithi: i-Subject1 ngumuntu wesifazane obukeka njengoba kuboniswe ku-Picture1, kanti indlela ahamba ngayo ithathwe ku-Video1.
Ngamanye amazwi: i-Picture1 ibhekele ukubukeka komlingiswa; i-Video1 ibhekele isenzo sokuhamba komlingiswa.
Leli elinye lamakhono awusizo kakhulu kwimodi yereferensi ephelele ye-Minimax H3: ukuhlanganisa izici ezivela ezintweni ezahlukene ukuze kwakhiwe umlingiswa oyedwa.
<PictureN>: ihange lesithombe esithile.
Kwi-Minimax H3, ukulayisha isithombe akusho ukuthi kufanele uchaze i-<PictureN> ngokwehlukana.
Isithombe kufanele sichazwe ngokwehlukana njenge-Picture kuphela uma sinomunye wale misebenzi:
Uhlaka lokuqala lwevidiyo; uhlaka lokugcina lwevidiyo; uhlaka olubalulekile; ireferensi yokwakheka kweshothi; umdwebo we-storyboard; isithombe okufanele sihlelwe ngqo.
Isibonelo:
<Picture2>is the first frame of[Shot1],showing the wolf demon standing outside there cruitment hall.
Incazelo yakhona ithi: i-Picture2 iwuhlaka lokuqala lwe-[Shot1], olukhombisa idemoni eliyimpisi limi ngaphandle kwehholo lokuqasha laphaya.
Uma isithombe sisetshenziselwa ukunquma ukubukeka komlingiswa kuphela, akudingeki ubhale umugqa we-Picture ngokwehlukana; vele usifake encazelweni ye-Subject:
<Subject1>is the wolf demon in<Picture1>.
Iphutha elivame kakhulu ukulayisha izithombe ezinhlanu bese uchaza ama-Picture amahlanu ngokuzenzakalelayo.
Indlela efanele ukuqala uzibuze: Ingabe lesi sithombe siyisithombe esithile esiqondile, noma sinikeza kuphela umlingiswa, izingubo, indawo noma isitayela?
Uma sinikeza izici kuphela, sebenzisa i-Subject.
Uma silawula ngqo uhlaka oluthile noma ukwakheka kweshothi elithile, sebenzisa i-Picture.
<VideoN>: umthombo wesakhiwo sevidiyo yonke.
I-Video isetshenziswa kakhulu ukuchaza ubudlelwano phakathi kwevidiyo yereferensi ephelele nevidiyo okuqondwe ukuyenza, isibonelo:
Ukuhlela ividiyo yokuqala; ukuqhubeka nevidiyo yokuqala; ukubhekisa ekuhambeni kwekhamera kwevidiyo yokuqala; ukubhekisa kusigqi sokuhlela; ukubhekisa ekulandelaneni kwamashothi; ukubhekisa kusakhiwo sesikhathi sevidiyo yonke.
Isibonelo:
<Video1>is the source video for the target video edit.
Incazelo yakhona ithi: i-Video1 iyividiyo yomthombo yokuhlelwa kwevidiyo okuqondwe ukwenziwa.
Kodwa uma ufuna ukusebenzisa isenzo somuntu othile esikuvideo yereferensi kuphela, lowo muntu noma leso senzo kusafanele kuchazwe njenge-Subject:
<Subject2>is the nervous hand-rubbing motion from<Video1>.
Incazelo yakhona ithi: i-Subject2 yisenzo sokuhlikihla izandla ngokukhathazeka esivela ku-<Video1>.
Ungabhali konke okuphakathi ku-<Video1> njenge-Video1 ngenxa yokuthi umthombo wokuqukethwe uyividiyo.
Ungakuqonda kanje: i-<VideoN> iphethe isakhiwo sevidiyo yonke nobudlelwano besikhathi; i-<SubjectN> iphethe okuqukethwe okuthile okudingeka kukhishwe kuvidiyo futhi kusetshenziswe.
<AudioN>: izinto zomsindo.
I-Audio ingabhekana nalokhu:
Ukukopisha umsindo wonke njengoba unjalo; ukukopisha ingxenye yawo; ukubhekisa kuthoni yezwi lomlingiswa; ukubhekisa kusigqi sokukhuluma; ukubhekisa emoyeni nasethoni; ukubhekisa kusitayela somculo; ukubhekisa kukhwalithi yomphumela womsindo; ukuqhubeka nesigqi somsindo wokuqala.
Isibonelo:
<Audio1>is the voice-timbre reference for<Subject1>(S1).
Incazelo yakhona ithi i-Audio1 ibhekele ithoni yezwi lokukhuluma le-Subject1 kuphela.
Qaphela: ukuba kwevidiyo umsindo akusho ukuthi kufanele kuchazwe ngokuzenzakalelayo i-Audio.
I-<AudioN> ichazwa kuphela uma umsindo kufanele ukopishwe noma usetshenziswe njengereferensi.
Ngaphezu kwalokho, i-Video ne-Audio zibalwa ngokwehlukana; izinombolo zazo akudingeki zihambisane.
>4. Qala ngokunquma ukuthi umsebenzi wakho ungowaluphi uhlobo
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Awuzizwa sengathi ukufunda lesi sifundo kwenze izinto zadida kakhulu kunokungasifundi?
Empeleni kulula.
Ekuqaleni kwe-summary, sebenzisa abakaki abayisikwele ukukhombisa uhlobo lomsebenzi.
Kunezinhlobo eziyisithupha ezivame ukusetshenziswa:
1, keyframe completion
Isithombe sereferensi sisetshenziswa ngqo njengohlaka lokuqala, uhlaka lokugcina noma uhlaka olubalulekile.
[keyframe completion]
2, reference generation
Ukubhekisa kumlingiswa, indawo, isitayela, isenzo, ukuhamba kwekhamera noma izici zomsindo.
Kodwa akuhlelwa noma akuqhubekiswa ngqo ividiyo yokuqala.
[reference generation]
Lolu futhi uhlobo olusetshenziswa kakhulu ekukhiqizeni okujwayelekile okusebenzisa izinto eziningi zereferensi.
3, video editing
Ukuhlela ngqo ividiyo esivele ikhona.
[video editing]
4, video continuation
Ukuqhubeka nokukhiqiza kusukela ekupheleni kwevidiyo yokuqala.
[video continuation]
5, audio reuse
Ukukopisha ngqo isignali yomsindo yokuqala.
[audio reuse]
6, audiore ference
Ukungakopishi umsindo wokuqala, kodwa ukubhekisa kuthoni yezwi, isigqi, indlela yokukhuluma noma isitayela somculo.
[audio reference]
Emsebenzini owodwa kungaba nezinhlobo eziningi ngesikhathi esisodwa:
[video continuation+keyframe completion+audio reference]
Ungabhali i-video editing ngokuzenzakalelayo ngoba nje ulayishe ividiyo.
Uma ubhekisa kuphela ekuhambeni kwekhamera noma kusigqi sevidiyo, ngokuvamile kusabhekwa njenge-reference generation.
Ukuguqula ngqo ividiyo yokuqala kuphela okuyi-video editing.
Ukuqhubeka kusukela ekupheleni kwevidiyo yokuqala kuphela okuyi-video continuation.
>5. Ungayitshela kanjani imodeli ukuthi “yiziphi izinto ezingashintshwa”
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Umsebenzi we-retention_analysis ukucacisa izinga lokugcinwa kwezinto eziyisethenjwa
Izinto ezibonakalayo zisebenzisa lobu budlelwano obune obulandelayo
1, fully_preserved
Ukugcinwa okuphelele, kusetshenziswa lapho: kufanele kugcinwe umlingiswa ofanayo; izingubo akufanele zishintshe; ukuhlelwa kwesigcawu akufanele kushintshe; ifreyimu yokuqala noma yokugcina kufanele ihambisane ngokuphelele
<Subject1>:fully_preserved the character's grey fur,drooping ears,brown clothes,and facial identity areretained.
Lokhu kusho ukuthi: uboya obumpunga, izindlebe ezilengayo, izingubo ezinsundu kanye nezici zobuso zomlingiswa oku-<Subject1> konke kugcinwa
2, partially_preserved
Kugcinwa ingxenye ethile, kodwa ezinye izinto zingashintshwa.
Isibonelo: kugcinwe ubunjalo bomlingiswa kodwa kushintshwe izingubo; kugcinwe ukwakheka kwesigcawu kodwa kushintshwe isikhathi nokukhanya; kugcinwe ingqikithi yesenzo kodwa kushintshwe ijubane
3, attribute_transfer
Ukudlulisela izici zesethenjwa kwenye into
Isibonelo: ukudlulisela isenzo somuntu omdala esiqeshini sevidiyo enganeni eyimpisi; ukugqokisa omunye umlingiswa izingubo ezisesithombeni esiyisethenjwa; ukudlulisela isimo sobuso esithile kumlingiswa okuqondiswe kuye
4, weak_reference
Ukugcina ukufana okuvamile kuphela, kusetshenziswa lapho: kubhekwa umoya kuphela; kubhekwa isitayela sokudweba kuphela; kubhekwa ukwakheka okuvamile kuphela; kubhekwa isigqi sokushintsha kwamashothi kuphela
Uma okulayishile kungewona ividiyo kodwa kuwumsindo, sebenzisa:
fully_copy: ukukopisha ngokuphelele;
partially_copy: ukukopisha ingxenye yokuqukethwe;
reference: ukubheka kuphela umbala wezwi, isigqi noma isitayela;
weak_reference: ukugcina umoya ovamile kuphela
Le ngxenye ayikuceli ukuthi uhlole ikhwalithi yokukhiqizwa, kodwa yazisa imodeli kusenesikhathi ukuthi yibuphi ubudlelwano obuyisethenjwa obuyimikhawulo eqinile nokuthi yibuphi obuyizethenjwa ezibuthakathaka kuphela
>Isithupha, into enquma umphumela ngempela yi-detailed_description
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I-detailed_description iyingxenye eyinhloko ye-prompt
Isincomo esisemthethweni ukuthi lapho ukhiqiza ividiyo, ubhale i-prompt enamagama esiNgisi angaba ngu-350 kuya ku-500, kodwa ungagcwalisi amagama ngenhloso; kumavidiyo anengxoxo eningi, qinisekisa kuqala ukuthi isikhathi sengxoxo sinendawo eyanele nenengqondo
Emisebenzini yokuhlela ividiyo, lungisa ubude ngokuvumelana nobunzima bevidiyo yokuqala
1, qala ngomusho owodwa noma emibili echaza isitayela sonke
Faka incazelo yesitayela ngaphambi kweshothi yokuqala:
The target video uses a stylized 3D animated mockumentary style, with slightly exaggerated expressions, warm daylight, and dry absurdist comedy.
Lokhu kusho ukuthi: ividiyo eqondiwe isebenzisa isitayela se-mockumentary yopopayi be-3D esenziwe saba nesitayela, esinezimo zobuso ezikhuliswe kancane, ukukhanya kwelanga okufudumele kanye namahlaya awomile angenangqondo
Unganqwabelanisi inqwaba yamagama ezitayela aphikisanayo, njengokuthi:
cinematic, anime, photorealistic, watercolor, clay animation, cyberpunk, Chinese ink painting
ifilimu, i-anime, ubunjalo obufana nesithombe, i-watercolor, upopayi wobumba, i-cyberpunk, umdwebo woyinki waseChina
Indlela efanele yokubhala yile:
A stylized 3D animated mockumentary with rough hand-painted textures and natural daylight.
Khetha isitayela esiyinhloko, bese wengeza izici zokuthungwa eziyedwa noma ezimbili kuphela
2, ungabhali isikhathi eshidini lokuqala
[Shot1]
Kumashothi alandelayo, bonisa isikhathi sokushintsha:
[Shot2]At 00:03.000,...
[Shot3]At 00:06.500,...
Isitempestamp sisho ukuthi ishothi entsha iqala nini
3, bhala ishothi ngayinye ngokulandelana okumisiwe
Abasaqalayo bangasebenzisa lokhu kulandelana ukuze bagweme amaphutha:
Isinyathelo sokuqala: ububanzi beshothi nokwakheka
A medium shot shows...
A close-up frames...
A wide shot establishes...
Isinyathelo sesibili: indawo yomlingiswa
<Subject 1> stands on the left side of the frame.
Isinyathelo sesithathu: ukubukeka komlingiswa
Lapho umlingiswa evela okokuqala, phinda kafushane izici ezibaluleke kakhulu zokum पहचानisa:
<Subject 1>, the grey-furred young wolf demon in worn brown clothes, ...
Kumashothi alandelayo akudingeki uphinde uchaze konke kusukela ekuqaleni
Isinyathelo sesine: isenzo esisodwa
He slowly hands the recommendation letter to the interviewer.
Ungahleleli izenzo eziningi ngesikhathi esisodwa eshothini elifushane, njengokungena, ukuhlala, ukunikeza imibhalo, ukuphendula ikhanda, ukuwa, ukusukuma, ukukhuluma nokuphuma ngokuphusha umnyango
Imodeli iyazazi lezi zenzo, kodwa iba nobunzima bokuhlela kahle ukulandelana kwazo emizuzwaneni embalwa
Indlela ethembeke kakhulu ukuhlukanisa amashothi. Lena futhi indlela evame ukusetshenziswa amanye amamodeli ekwenzeni izenzo eziningi:
Ishothi 1: ukungena ekamelweni;
Ishothi 2: ukuhlala;
Ishothi 3: ukukhipha incwadi yokuncoma;
Ishothi 4: umphenyi we-interview ubheka phansi incwadi.
Isinyathelo sesihlanu: izinguquko zesimo sobuso nesimo somzimba
Ungabhali nje ukuthi “unovalo”; chaza izinguquko ezibonakalayo:
His ears droop slightly, his shoulders tighten, and he avoids eye contact.
Isinyathelo sesithupha: ukunyakaza kwekhamera
The camera slowly pushes in.
The camera makes a slight handheld pan to the right.
The camera remains static.
Uma kudingeka, cacisa ijubane nobubanzi bokunyakaza; uma ukunyakaza kwekhamera kungadingeki, bhala ngokuqondile ukuthi ishothi imile
Isinyathelo sesikhombisa: umsindo nengxoxo
Cacisa umthombo womsindo, indlela yokukhuluma kanye nengxoxo ethile
>Isikhombisa, indlela ejwayelekile yokubhala ingxoxo
>
Wonke umuntu okhuluma ngempela udinga inombolo emisiwe yesikhulumi:
(S1)
(S2)
(S3)
Izinombolo zinqunywa ngokulandelana abalingiswa abaqala ngakho ukukhuluma, futhi azikwazi ukushintshwa ngokuthanda kwakho kamuva.
Isibonelo:
<Subject 1> (S1) says in a nervous young male voice, <d>[Chinese] 我有三封推荐信，两封是我自己写的。</d>
Lapha:
<Subject1> imele umlingiswa oyisethenjwa osesithombeni;
(S1) imele umthombo wezwi;
[Chinese] ikhombisa ulimi lwengxoxo;
<d>...</d> igoqa ingxoxo ephelele.
Uma umlingiswa ofanayo eqhubeka nokukhuluma kamuva, qhubeka usebenzise (S1)
Lapho umlingiswa ekhuluma engabonakali esikrinini:
<Subject 1> (S1), speaking off-screen, says...
Qaphela:
Ingxoxo, ukulandisa kanye namazwi ezingoma konke kubhalwa ngaphakathi kwe-<d>; ulimi lokuqala kufanele lugcinwe, akudingeki luhunyushelwe esiNgisini; ingxoxo yokuqala engaqondakali ibhalwe ngokuthi [unclear], ungazami ukuyiqagela; uma ubhekisa umbala wezwi kuphela, ungafaki ingxoxo yokuqala ekurekhodweni okuyisethenjwa kuvidiyo entsha; ukuphela kwengxoxo kufanele kusebenzise ichashazi, uphawu lombuzo noma uphawu lokubabaza olujwayelekile
Ngokusemthethweni, “umlingiswa obonakalayo” kanye “nomthombo wezwi” kuthathwa njengezinhlelo ezimbili ezihlukene zokulandelela: i-Subject ilawula ukuthi ubani umlingiswa, kanti i-S1/S2 ilawula ukuthi ubani okhipha izwi. Kuyinkimbinkimbi impela
>Isishiyagalombili, umsindo wendawo nomculo wangemuva kufanele kuhlukaniswe
>
1, overall_soundscape
Chaza imisindo ekhona ngempela emhlabeni oboniswe esithombeni,
overall_soundscape: Quiet indoor room tone, faint paper rustling, wooden chair creaks, and distant crowd noise from outside the recruitment hall.
Isimo somsindo sisonke: umsindo ozolile wegumbi langaphakathi, ukuhuzuka okuncane kwephepha, ukuklewula kwesihlalo sokhuni, kanye nomsindo wesixuku esikude ngaphandle kwehholo lokuqasha.
Imisindo ekhona ngempela emhlabeni obonisiwe ihlanganisa: umsindo womoya; umsindo wemvula; umsindo womgwaqo; umsindo ongemuva wasendlini; izinyathelo; ukuvulwa komnyango; ukuhuzuka kwezingubo; ukushayisana kwezinto
2, non_diegetic_music
Chaza umculo ozwiwa yizibukeli kuphela
non_diegetic_music: A restrained plucked-string comedy score at a medium-slow tempo, with brief pauses before each punchline.
Lapho usebenzisa i-BGM, kungcono ukucacisa: yiziphi izinsimbi ezisetshenziswayo; ijubane lomculo; umuzwa; izinguquko zevolumu; ukuthi uyakhula kancane yini; nokuthi uyama yini ngaphambi kwephuzu lamahlaya
Ungaphindi ingxoxo ephelele kulezi zingxenye ezimbili; ingxoxo kufanele ibe ku-detailed_description kuphela
>Isishiyagalolunye, amaphutha ayisishiyagalombili avame ukwenziwa abasaqalayo
>
Ipazamo yokuqala: ukuchaza wonke amafayela ayisethenjwa njenge-Picture
Uma isithombe sibhekele ukubukeka komlingiswa kuphela, kufanele sichazwe njenge-Subject, hhayi njenge-Picture ezimele
Ipazamo yesibili: ukubhala umuntu okuvidiyo eyisethenjwa njenge-Video
Abalingiswa, izinto nezenzo kungama-Subject; i-Video ngokuyinhloko imele ukuhlela kwevidiyo yonke, ukuqhubeka, isigqi noma ukwakheka kwamashothi
Ipazamo yesithathu: ukubhala nje ukuthi “bheka isithombe esithile”
Imodeli ngeke yazi ukuthi kufanele ibheke ini
Indlela engalungile: Use Picture 1 as reference.
Indlela efanele: <Subject 1>'s facial identity, grey fur, drooping ears, and worn brown clothes come from <Picture 1>.
Ipazamo yesine: ukunikeza into eyodwa eyisethenjwa imisebenzi eminingi engacacile
Ungabhali: Use Video1 for everything.
Esikhundleni salokho, hlukanisa zonke izici eziyisethenjwa: isenzo somlingiswa sivela ku-Video1; isigqi sokuhlela sibhekisa kancane ku-Video1; umsindo awukopishwa; isigcawu sivela ku-Picture2
Ipazamo yesihlanu: ukubhala indaba kuphela ngaphandle kokuchaza isithombe
“Ube ne-interview engenangqondo,” akuyona i-prompt imodeli engayisebenzisa ngokuqondile
Kufanele kuchazwe: umi kuphi; umphenyi we-interview ukuphi; ubani oqala ukwenza isenzo; sikhulu kangakanani isenzo; ikhamera iyanyakaza yini; uqala nini ukukhuluma
Ipazamo yesithupha: ukufaka izenzo eziningi kakhulu eshothini elilodwa
Ishothi eyodwa kufanele ithwale isenzo esisodwa; uma umcimbi uyinkimbinkimbi, wahlukanise ube amashothi amaningi
Ipazamo yesikhombisa: ukushintsha inombolo yomlingiswa kaningi
Uma umlingiswa esengu-(S1), kufanele agcine u-(S1) kuyo yonke ividiyo
Ipazamo yesishiyagalombili: ukudida “ukukopisha umsindo” kanye “nokubhekisa kumsindo”
Uma ufuna ukugcina ithrekhi yomsindo yokuqala, bhala audio reuse
Uma ufuna ukubhekisa umbala wezwi noma indlela yokukhuluma kuphela, bhala audior eference
>Ishumi, ithempulethi ephelele abasaqalayo abangayisebenzisa ngokuqondile
>
Lokhu mhlawumbe yisigaba esithandwa kakhulu abasaqalayo 😂
>
subject_definitions:
<Subject1>is[umuntu, isilwane, into noma indawo edinga ukwenziwa],whose[izici zokubukeka, zokugqoka, zobuwena njll.]come from<Picture1>.<Subject2>is[isihloko sesibili esibonakalayo],whose[isenzo, isimo sobuso noma ukubukeka]come from<Video1>.<Picture2>is the[first frame/keyframe/lastframe/composition reference]of[ShotN].<Video1>is the source video used as a reference for[camera movement/editing rhythm/temporal structure].<Audio1>is the voice-timbre reference for<Subject1>(S1).summary:[reference generation+audio reference]The target video shows[abantu, indawo nomcimbi oyinhloko].<Picture2>defines[indima ethile yesithombe].<Video1>provides[indima yereferensi yevidiyo].<Audio1>provides[indima yereferensi yomsindo].retention_analysis:<Subject1>(appears in[Shot1],[Shot2]):fully_preserved[izici zomlingiswa okufanele zigcinwe].<Subject2>(appears in[Shot2],[Shot3]):partially_preserved[okuzogcinwa, nokuvunyelwe ukushintshwa].<Picture2>([Shot1]first frame):fully_preserved[ukwakheka nendawo okufanele kugcinwe ngokuqinile].<Video1>(camera movement and pacing):weak_reference[okudingeka kubhekiswe kukho ngokujwayelekile kuphela].<Audio1>:reference[ubhekisela kuphela kumbala wezwi, imizwa nesivinini sokukhuluma, ungakopishi isignali yoqobo].detailed_description:The target video uses a[isitayela esiyinhloko]with[ukukhanya, imibala kanye nokuthungwa okuphelele].[Shot1]A[uhlobo lweshothi]shows[indawo nokwakheka].<Subject1>,[izici ezibalulekile zokubukeka],stands or sitsat[indawo esithombeni].[Umlingiswa wenza isenzo esiyinhloko].The camera[indlela yokunyakaza kwekhamera].[Imisindo yendawo].[Shot2]At 00:03.000,the shotcuts to a[uhlobo lweshothi]of<Subject2>.[Indawo yesihloko, isenzo kanye noshintsho lwesimo].<Subject1>(S1)says in a[incazelo yombala wezwi, imizwa nesivinini],<d>[Chinese]ingxoxo ethile ngesiShayina.</d>[Shot3]At 00:06.000,the shotcuts to[ukwakheka okusha].[Umlingiswa wenza isenzo esiyinhloko].<Subject2>(S2)replies in a[incazelo yezwi],<d>[Chinese]ingxoxo ethile ngesiShayina.</d>The camera[indlela yokunyakaza kwekhamera noma ukuhlala imile].The shot ends on[isimo sokugcina sesithombe].overall_soundscape:[umsindo ongemuva wendawo, izinyathelo, ukuklwebhana kwezingubo, ukushayisana kwezinto kanye neminye imisindo yangempela].non_diegetic_music:[izinsimbi, isigqi, imizwa, ivolumu kanye nendlela umculo othuthuka ngayo].
>
>11. Isibonelo esiphelele: Impisi encane eyidemoni iya kwinhlolokhono eNtabeni Yezimbali Nezithelo
>
Cabanga ukuthi kulayishwe:
Picture1: isithombe somlingiswa wempisi encane eyidemoni;
Picture2: ihholo lokuqasha laseNtabeni Yezimbali Nezithelo;
Video1: ividiyo yesenzo somuntu ofuna umsebenzi odlulisela i-CV ngokwethuka;
Audio1: ireferensi yezwi lempisi encane eyidemoni.
Kungabhalwa kanje:
subject_definitions:
<Subject 1> is the young wolf demon in <Picture 1>, with grey fur, drooping ears, a thin body, worn brown clothes, and a permanently nervous expression.
<Subject 2> is the monkey interviewer, wearing a red official robe and sitting behind a large wooden recruitment desk.
<Subject 3> is the recruitment-hall environment in <Picture 2>, featuring stone walls, red banners, crowded wooden benches, and a large sign reading “Ihhovisi Lokuqasha Amathalente laseNtabeni Yezimbali Nezithelo”.
<Subject 4> is the nervous document-handing motion from <Video 1>, transferred to <Subject 1>.
<Audio 1> is the voice-timbre reference for <Subject 1> (S1), providing a young male voice with a cautious and slightly trembling delivery.
summary:
[reference generation + audio reference] The target video shows <Subject 1> attending a job interview with <Subject 2> inside <Subject 3>. The nervous document-handing action of <Subject 4> is transferred to <Subject 1>. <Audio 1> provides the voice-timbre reference for <Subject 1>. The scene uses dry absurdist comedy and ends with the interviewer rejecting the résumé because it lacks a sufficiently powerful recommendation letter.
retention_analysis:
<Subject 1> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - the wolf demon's facial identity, grey fur, drooping ears, thin body, worn brown clothes, and nervous appearance are retained.
<Subject 2> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - the monkey interviewer's red official robe, seated posture, and bureaucratic expression are retained.
<Subject 3> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - the stone recruitment hall, wooden desk, red banners, benches, and visible Chinese recruitment sign are retained.
<Subject 4> (appears in [Shot 1]): attribute_transfer - the cautious document-handing motion is transferred to <Subject 1>.
<Audio 1>: reference - the target speaker follows the youthful, cautious, slightly trembling vocal quality without copying the original audio signal.
detailed_description:
The target video uses a stylized 3D animated mockumentary look with rough hand-painted textures, warm daylight entering through the stone doorway, slightly exaggerated facial expressions, and dry absurdist comedy.
[Shot 1] A medium-wide static shot establishes <Subject 3>, the crowded stone recruitment hall with red banners, wooden benches, and the large sign reading “Ihhovisi Lokuqasha Amathalente laseNtabeni Yezimbali Nezithelo”. <Subject 2>, the monkey interviewer in a red official robe, sits behind a large wooden desk on the right side of the frame. <Subject 1>, the thin grey-furred wolf demon in worn brown clothes, stands on the left. Using the nervous document-handing motion transferred from <Subject 4>, he slowly extends a folded résumé toward the interviewer with both hands. His ears droop and his shoulders remain tense. Papers rustle softly as the résumé reaches the desk.
[Shot 2] At 00:03.000, the shot cuts to a close-up of <Subject 2>. He lowers his eyes toward the résumé without touching it. His expression remains serious and slightly impatient. <Subject 2> (S2) asks in a flat bureaucratic voice, <d>[Chinese] Ingabe unencwadi yokunconywa evela ku-Great Sage?</d> He raises one eyebrow and taps the desk once with his index finger. The camera remains static.
[Shot 3] Ngo-00:06.000, ishothi lisika liye ekubukekeni eduze kuka-<Subject 1>. Uqinisa ukubamba kwakhe i-CV, ehlisa ikhanda, bese ephendula ngezwi eliqaphile, eliqhaqhazelayo kancane elibhekiswe ku-<Audio 1>. <Subject 1> (S1) uthi, <d>[isiShayina] Cha, kodwa ngiyakwazi ukusebenza kanzima.</d> Ngemva kwekhefu elifushane, ishothi libuyela emuva kancane libe banzi njengoba u-<Subject 2> ephushela i-CV ibuyele ngaphesheya kwedeski ngomunwe owodwa, bese ethi, <d>[isiShayina] Lapha akusikho ukusebenza kanzima okusilelayo, okusilelayo yizihlobo nabaxhumanisi.</d> <Subject 1> uhlala enganyakazi izandla zombili zeluliwe, kuyilapho ifreyimu yokugcina ibamba umzuzwana owodwa.
isimo_somsindo_jikelele:
Ukububula okuphansi kwesixuku esisendlini kuyaqhubeka kuyo yonke ihholo lokuqasha. Ukuklwebhana okuthambile kwamaphepha, ukuklabalasa kwezihlalo zokhuni, izinyawo ezikude, kanye nokushaywa komunwe owomile kanye emadeskini kuhlala kuzwakala ngokucacile.
umculo_ongaphakathi_komsebenzi:
Umculo wamahlaya onezintambo ezidonswayo ngokulinganisela, ohamba ngesivinini esimaphakathi esiya kancane, udlala buthule ngaphansi kwalesi sigcawu. Umculo uyama isikhashana ngaphambi komugqa wokugcina wombuzi-ndaba, kulandelwe inothi elilodwa elifushane lokushaywa kwensimbi yokhuni ngesikhathi kufriziwe ifreyimu yokugcina.
Ngamanye amazwi, mfowethu, uma ufuna ukusebenzisa kahle i-Minimax H3, kufanele usebenzise isiNgisi.
Kodwa akuyona inkinga enkulu. Ungaqala ubhale ngesiShayina ngokulandela ifomethi bese ukuhumusha, kodwa indlela eshesha kakhulu ukuthumela lesi sibonelo esiphelele esingenhla ku-AI ukuze isibhale kabusha ngendlela efanayo, bese kamuva ushintsha izici ezithile 😂
>Ishumi nambili, ekugcineni khumbula le ndlela enezinyathelo ezinhlanu
>
Uma ubhekene nanoma iyiphi impahla eyinkimbinkimbi eyireferensi, ungaqali ngokubhala iphrompthi ende ngokuqondile.
Qala ngokuqeda lezi zinyathelo ezinhlanu:
Isinyathelo sokuqala: Hlukanisa impahla
Impahla ngayinye ihlinzeka ngani ngempela: abalingiswa, indawo, izenzo, ukwakheka kwesithombe, ukunyakaza kwekhamera, isigqi noma umsindo?
Isinyathelo sesibili: Hlela omaka
Okuqukethwe okubonakalayo okungasetshenziswa kabusha kubizwe nge-Subject, amaphuzu athile okubambelela esithombeni abizwe nge-Picture, ubudlelwano bevidiyo yonke bubizwe nge-Video, kanti umsindo ubizwe nge-Audio.
Isinyathelo sesithathu: Hlela izinga lokulondoloza
Yikuphi okufanele kugcinwe ngokuphelele, yikuphi okuvunyelwe ukuguqulwa, futhi yikuphi okuyireferensi ebuthakathaka kuphela?
Isinyathelo sesine: Hlukanisa amashothi
Ngokulandela ukuhleleka kwangempela kokudlala, hlukanisa izehlakalo eziyinkimbinkimbi zibe amashothi amaningi esenzo esisodwa.
Isinyathelo sesihlanu: Faka umsindo
Hlukanisa inkulumo yabalingiswa, umsindo wendawo, kanye nomculo wangemuva ozwiwa yizibukeli kuphela.
Umqondo oyisisekelo wamaphrompthi e-Minimax H3 asebenzisa wonke amareferensi ungafingqwa ngomusho owodwa:
Ungatsheli imodeli ukuthi yimaphi amafayela owalayishile; yitshele ukuthi impahla ngayinye yenzani, nokuthi kufanele isebenze kanjani nokuthi isebenze kwishothi yiphi emkhiqizweni wokugcina.
Ukusetshenziswa kwe-Minimax H3 kunezidingo eziqinile zefomethi, futhi kuhluke ngokuphelele ekusetshenzisweni kwamamodeli afana ne-Seedance2.0. Okwamanje, kufanele ulandele le fomethi ukuze ube nethuba lokukhiqiza ividiyo enhle.
Uma ungafuni ukwenza konke lokhu, linda kancane; kuzoba nochwepheshe abazokwenza ngcono le ndlela.
>Yilokho kuphela
phela